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The epistolary weepie "Stan" and the survivalist self-helpisms of "Lose Yourself" played a part in the slow mainstream media embrace of Eminem, but it's that "slash" that seemed to complete the embrace. And yet, somewhere between hugging Elton onstage at the Grammys and sending that guy in the Pistons jersey to pick up his Oscar, Em was feted by many of America's best-known cultural crits, columnist, and pundits: Frank Rich, Andrew Sarris, Maureen Dowd, Greil Marcus, Neal Gabler, and Paul Slansky (among others) either laid garlands at his feet or rhapsodized about the supposed transformation of the rapper/actor. In 2000, Eminem was frequently vilified as a hatemonger, homophobe, and misogynist in 2002, he was on the shortlist for Time magazine's "Man of the Year." America loves a tale of redemption almost as much as one of comeuppance, but at the start of the decade you'd have gotten pretty long odds on the media and cultural elite spinning the Marshall Mathers yarn as the former before the latter.